Past Repertoire

* designates an original production

  • *Acis and Galatea - Ars Lyrica Houston
  • *Acteon - Ars Lyrica Houston
  • Il Barbiere di Siviglia  - Tulsa Opera, Utah Opera
  • *Bernstein MASS - St Philip Presbyterian Houston
  • *The Bricklayer (world premiere) - Houston Grand Opera
  • *Cain: il primo Omicidio  - Ars Lyrica Houston
  • *Carmen - Hawaii Opera Theatre, Wolf Trap Opera, Utah Opera, Arizona Opera, Amarillo Opera 
  • *La Descente d'Orphee aux Enfers  - Ars Lyrica Houston
  • *Dido & Aeneas - Mercury Baroque, Ars Lyrica Houston
  • *La Dirindina - - Ars Lyrica Houston
  • Don Giovanni - Arizona Opera
  • Don Pasquale - Amarillo Opera 
  • L'Elisir d'Amore -Martina Arroyo Prelude
  • *L'enfant et les Sortileges- Utah Opera 
  • *Eugene Onegin - Arizona Opera 
  • The Face on the Barroom Floor -Central City Opera
  • *Fidelio - Houston Symphony Orchestra, Madison Opera
  • La Fille du Regiment  - Tulsa Opera
  • Die Fledermaus - Opera in the Heights 
  • *Giulio Cesare - Rice University
  • *Gianni Schicchi - Utah Opera 
  • *Hansel & Gretel  - Peabody Conservatory, Tulsa Opera
  • H.M.S Pinafore  - Arizona Opera 
  • *Her Name Means the Sea (world premiere) - Houston Grand Opera
  • *Madama Butterfly  -  Wolf Trap Opera
  • *A Midsummer Night's Dream - Boston University, NDSU
  • *Mini Magic Flute (Faircloth version)
  • *Noye's Fludde - Tulsa Opera, Grace Note
  • Le nozze di Figaro - Utah Opera, Atlanta Opera
  • *Pagliacci - Utah Opera
  • *Les Plaisirs de Versailles  - Ars Lyrica Houston
  • *Loving Clara - Mercury Orchestra
  • *The Rake's Progress  - Wolf Trap Opera 
  • Rigoletto  - Utah Opera 
  • *Il Ritorno d'Ulisse -  Rice University 
  • La Rondine - Opera Santa Barbara 
  • *Savitri  - Grace Note
  • *Sweeney Todd  - Wolf Trap Opera
  • Tosca - Arizona Opera
  • *Town Hall - Maryland Opera Studio
  • La Traviata  -  Amarillo Opera
  • Il Trovatore  - Colorado Opera 
  • Die Zauberflöte  - Tulsa Opera

Sweeney Todd, Wolf Trap Opera


Tara Faircloth

Stage Director

Stage director Tara Faircloth’s work has been seen in opera houses around the nation. Critics hailed her Nozze di Figaro, claiming, “Faircloth made her Atlanta Opera debut this night with distinction, creating an unstoppable momentum of manipulation and misunderstandings. This production was so fresh that it had the ability to bridge yet another gap, entertaining the amateur and the opera aficionado alike” (Opera News).  She directed two world premieres with the Houston Grand Opera's East+West series (The Bricklayer and Her Name Means The Sea) and has a thriving career in regional houses such as Wolf Trap Opera, Utah Opera, Arizona Opera, Tulsa Opera and Atlanta Opera (Il Barbiere di Siviglia, Rigoletto, Die Zauberflöte, Hänsel & Gretel, etc.). The baroque repertoire is of special interest to Ms. Faircloth, who made her directorial debut with Ars Lyrica Houston’s production of Cain: Il primo omicidio in 2003, and has since designed and directed a number of shows for the company, including Charpentier's  Actéon and La Descente d’Orphée aux Enfers. She created productions of Dido & Aeneas for Ars Lyrica at the Festival di Musica Barroca in San Miguel de Allende, Mexico, and for Mercury Baroque in collaboration with the Dominic Walsh Dance Theater. 

The 2017-18 season finds Ms. Faircloth working on productions new and old: Tosca, Carmen, Agrippina, Gianni Schicchi, Pagliacci, and a mixed media collaboration exploring the life and loves of Clara Schumann entitled Becoming Clara, which premieres in January 2018 with Mercury: The Orchestra.  
Following last year’s season, which included new productions of Giulio Cesare, Hansel & Gretel and Fidelio (for the Houston Symphony Orchestra) Ms. Faircloth is clearly in demand as an interpreter for familiar works and those that are more obscure.

Ms. Faircloth has worked extensively on directing staff with such companies as Lyric Opera of Chicago, Houston Grand Opera, Central City Opera, and Dallas Opera, and as such, has worked on some of the most complicated operas in the repertoire, assisting international directors and preparing cover casts of some of the best performers in our industry.  She is increasingly sought out for her skills as an adapter and has created such pieces as the “Mini” Grapes of Wrath, and the “Mini” Magic Flute, commissions of Opera in the Ozarks and Utah Symphony & Opera. She has a private coaching studio in Houston, Texas, and regularly works with the talented singers in the Houston Grand Opera Studio and Rice University. 

Upcoming Projects​​

Il Re Pastore

(new production)

Merola Opera  (San Francisco)

Summer 2018 


(new production)

Ars Lyrica Houston 

Spring 2019

The Little Prince

(new production)

Utah Opera

Winter 2019

Le Nozze di Figaro

Arizona Opera

Spring 2019 

L'incoronazione di Poppea

Boston Baroque

Spring 2019 


​Austin Opera

​Fall 2019